Younger than the artists and writers who took part in the Harlem Renaissance of the 1920s, Lawrence was also at an angle to them: he was non interested in the kind of idealized, fake-primitive images of blacks - the Noble N egroes in trick Deco guise - that tended to be produced as an antidote to the toxic racial stereotypes with which white popular culture had flooded America since Reconstruction. Nevertheless, he gained self-confidence from the Harlem cultural milieu - in particular, from the art critic Alain Locke, a Harvard-trained esthete (and Americas first black Rhodes scholar) who believed str...If you want to ask a full essay, order it on our website: BestEssayCheap.com
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