Comparing Walter Benjamin and Susan Sontag

Walter Benjamin and Susan Sontag argues the ways and the kinds of the raw technologies and new media like jut out taking and cinema. They are not agreed in each(prenominal) password points.         Like the german writer and renderist, Walter Benjamin (1892-1940) mentioned in his establish The control of contrivance in the epoch of automatic comeback photography and cinema invented a new hallucination and a new kind of guile. On the other spatial relation Susan Sontag one of Americas important writers who was born in 1933 and sprightliness in New York today, explains in her book On photography this new kind of art: photographys bad usage , consequences and the bleached sides of it.                   Today, visuality and imitation is one of the main characteristic of the two art form photography and film. According to Benjamin Even the just about complete reproduction of a naturalize of art is wanting(p) in one ele ment: its presence in term and space, its queer creative activity at the place where it happens to be. This unusual existence of the work of art determined the history to which it was subject throughout the time of its existence (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,2). Here Benjamin talks about the ideal of nimbus as a presence of the work of art.

besides thither is an another description of this concept that Benjamin explains in his essay: We define the aura of the latter as the unique phenomenon of a distance, however close it may be. If, while resting on a summer afternoon, you follow with your eyes a freshet look-alike on the horizon or a ! offshoot which casts its rear over you, you experience the aura of those mountains, of that branch (Benjamin, The Work of Art in the Age of Mechanical Reproduction. P,3). It looks... If you want to direct a full essay, order it on our website: BestEssayCheap.com

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